


Rachelle was sewing. She had abandoned her darning and was stitching at a lovely piece of embroidery, a strip of white satin with blue cornflowers and yellow poppies on it. She had not the slightest hope of ever finishing it, but just now and then she worked at it for a few moments because of the enjoyment that it gave her. Somehow the creation of a thing that was intended simply to be beautiful and nothing else gave her a feeling of spaciousness that was simply delicious.
"Why?" she asked Andre.
Andre, who was reading, removed his spectacles and thought about it.
"Because a thing that has no practical value but exists simply to be beautiful, a picture or a symphony, or yellow poppies enriching white satin, is a vision of reality. A thing that's intended to be useful ties down your spirit to mundane things, but a thing that is simply beautiful opens a window and lets you go free – that's why you feel spacious.
Rachelle looked at Andre. His eyes had dropped to his book again and his face looked alight. He hardly ever had time to read and she was sorry, for a book was to him what her embroidery was to her.
They sat together quietly, their bodies at peace, their spirits voyaging, their hearts attentive to and conscious of each other, while the clock ticked as though each little soft sound was a tap closing more and more firmly the door that shut out the noisy world.
That's how the big comfy chair at The Editor's house makes me feel.
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